Categoria: Entertainment

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  • Tennis star Alexander Zverev calls out automated line judging system

    Zverev received a warning for taking a photo of the mark the ball left on the clay court. | Photo by Alberto Gardin/Eurasia Sport Images/Getty Images<br>

    It’s clay court season in tennis, and instead of questioning the judgments of chair umpires, some players are now questioning the decisions of complex software — specifically electronic line-calling (ELS) systems, which are increasingly tasked with determining whether a ball is in or out.

    German tennis star Alexander Zverev became the latest to dispute the technology after it called his opponent’s ball “in” during a Madrid Open match against Alejandro Davidovich Fokina, as reported earlier by The Athletic. Zverev pointed to the discrepancy between the ELS call and the ball’s mark, which appeared just outside the court’s white line.

    Whereas on hard and grass courts, the other surfaces tennis players compete on, clay is unique because it is composed of loose particles of brick and stone. It also means that when a ball strikes a clay court, it leaves a mark of where it bounced. This is often used as clear and indisputable evidence of whether a ball was in or out. So what happens when the automated line-calling software disagrees with the visible mark left by a ball on clay?

    “The machine is not working,” Zverev said to the chair umpire. “Look at this mark… please come down.” He pulled out his phone to snap a photo of the mark and post on Instagram, resulting in a warning for unsportsmanlike conduct. Other players have snapped photos of disputed shots during the tournament, too, including Victoria Azarenka and Eva Lys.

    Though ELS is generally popular with players, we’ll likely see more disputes this year, as the Association of Tennis Professionals (ATP) continues replacing human line judges with ELS across major tournaments (with the French Open, the sole clay Grand Slam, being the only exception).

    Hawk-Eye, one of the companies behind this technology, uses a set of cameras to predict where a ball is headed by analyzing its speed, spin, and skid with a three-millimeter accuracy. “The system assumes where a ball will bounce before it arrives, a prophecy of the future made with the confidence of the combined might of physics, surveillance technology, and an algorithm trained on billions of data points,” my colleague Kevin Nguyen writes in a deep dive on the system.

    Hawk-Eye announced last year that its live line-calling system is ready for clay courts, where line judges and umpires have long used physical ball marks to make calls. But the look of the ball’s mark may change based on whether the clay is wet or dry, as well as if there is more or less clay on a court, as detailed in this video from the ATP Tour. That could make some of these marks deceiving to the human eye. 

    “Clay is a very different surface — probably the most difficult surface to work on,” ATP supervisor Cedric Mourier, said in an interview last year. “Interpreting a mark is subjective, the reading of the mark very complicated. And this will be obviously, taken away by the ELS live.” How the player reacts to the system’s determination will just add to the clay court drama.

  • Wii Homebrew Channel development shuts down over ‘stolen’ code

    The GitHub repository for The Homebrew Channel (HBC), a popular piece of software used on hacked Nintendo Wiis, has been archived. Its maintainers are accusing the creators of “libogc,” a software toolkit HBC relies on, of stealing both Nintendo-made and open-source code and presenting it as their own, according to a ReadMe posted to the repository yesterday by hacking group fail0verflow. (Hat tip to X user OatmealDome.)

    HBC is a central piece of the Wii homebrew community, serving as a launcher for non-Nintendo-approved software without needing to re-run an exploit. Through it, you can do things like load GameCube and Wii game files, run older console emulators, and more from a USB-connected hard drive or the Wii’s SD card slot. HBC is also one of the cleanest ways to back up your own Wii or GameCube collection, as you can copy files from game discs using Nintendo’s own hardware.

    In its ReadMe, fail0verflow, which owns the HBC repository, writes that although they knew early on that libogc used some stolen Nintendo code, they thought much of the rest of it was original code and decided to “reluctantly” continue using it. However, they say that after another developer claimed the code was actually lifted from the open-source RTEMS without attribution, they filed an issue that libogc’s developers closed and replied to with “verbal abuse” to before deleting it. HBC’s developers say they now “consider it impossible to legally and legitimately compile this software at this point, and cannot encourage any further development.”

    WiiHacks, one of the most well-made guides for hacking a Wii, still seems to offer all of the file downloads needed to hack a Wii. But as GameRant notes, that could change, particularly with the HBC developers admitting that some Nintendo code was used in the tooling it relies on. Nintendo has been known to go after emulation projects in the past, after all. If you’ve already hacked a Wii, none of this will matter much. HBC itself hasn’t had any major updates for years — just don’t count on any persistent bugs going away anytime soon, if ever.

  • HBO’s The Last of Us had to speed up Abby’s reveal

    Kaitlyn Dever as Abby.

    In The Last of Us Part II, it takes a long time before players understand just who Abby is. A new character introduced as both an antagonist and protagonist, Abby is locked in a violent game of revenge with Ellie, but her reasoning and history don’t become clear until around midway through the game, when players actually take control of her as a character.

    When the team behind the HBO adaptation of The Last of Us started thinking about introducing her for the show’s second season, they realized they didn’t have that same amount of time.

    “When we put out The Last of Us Part II, you have the entire story and you decide how you want to pace it out,” co-creator Neil Druckmann, who was also the writer and director on both games, tells The Verge. “Here we’re putting out episodes week by week, which are roughly an hour long. If we were to wait as much as we did in the game to reveal certain things, our viewers might have to wait a very, very long time — longer than we were comfortable with.”

    That means parts of her story were moved up. In the premiere episode of season 2, it’s a lot clearer from the start why Abby (Kaitlyn Dever) has tracked down Joel (Pedro Pascal &hellip;

    Read the full story at The Verge.

  • Why Nintendo can get away with a $450 Switch 2 price

    When Nintendo announced the Switch 2 would cost $450, my initial reaction was disappointment. “Why does it cost so much more?” I thought to myself. “Why does Japan get it cheaper?” my brain jealously added, once I learned that Nintendo would sell a Japan-only model for the equivalent of just $333.

    It felt like Nintendo was about to overcharge the entire rest of the world for a modest improvement to its original $300 console, one that doesn’t come with an OLED display or anti-drift magnetic sticks. Surely it can’t cost Nintendo that much more to make, especially seeing how it’s selling the exact same hardware for so much “less” in Japan? 

    But while Nintendo might be charging more than I’d like to spend, particularly with its $80 games and its button that makes you pay extra, I no longer think the company’s being distinctly unfair to gamers outside of Japan. The $450 price makes more sense when you consider what’s happened to the dollar and the yen. 

    Since its March 3rd, 2017, debut, Nintendo basically hasn’t changed the price of the original Switch in either the US or Japan. The portable console cost $300 USD or ¥32,378 in 2017; it costs the same $300 &hellip;

    Read the full story at The Verge.

  • China will show fewer US films in response to tariffs

    China says it will look elsewhere to meet demand for foreign films.

    China says it will cut the number of US films that are imported into the country in retaliation against the latest wave of tariff increases imposed by the Trump administration. A statement issued by the Chinese Film Administration (CFA) on Thursday, which we’ve translated using Google, said that the decision to increase tariffs against China to 125 percent was “the wrong move,” and will “further reduce the domestic audience’s favorability” towards American-made movies.

    “We will follow market rules, respect the audience’s choice, and moderately reduce the number of American films imported,” The CFA said. “China is the world’s second-largest film market. We have always adhered to a high level of opening up to the outside world and will introduce more excellent films from the world to meet market demand.”

    Predictions about a potential ban on American film imports into China have been circulating in recent days since Trump ramped up his trade war against the country. Under previous trade agreements, China agreed to release 34 foreign films per year and provide overseas studios with a 25 percent share of ticket sales. It’s unclear how significantly these allowances may be reduced going forward.

    While US movies no longer rake in the Chinese audiences they once did, they still managed to gross $585 million in China last year. That’s no small sum for such a limited number of films, but only made up around 3.5 percent of the $17.71 billion Chinese box office.

  • You can grab three months of Apple TV Plus for $2.99 a month right now

    Curious what all the fuss over shows like Severance and The Studio is about? If you’re interested in streaming either, new and eligible returning subscribers can sign up for Apple TV Plus through April 24th for just $2.99 a month for the first three months. Apple TV Plus would normally cost you $9.99 a month, meaning you’re saving $21 over a three-month period.

    In addition to Severance and The Studio, Apple TV Plus also grants you ad-free access to other originals — including Ted Lasso and For All Mankind — all of which you can stream in 4K HDR, download to watch offline, and share with up to five family members. The platform also features a wide variety of movies, including Killers of the Flower Moon, Napoleon, The Gorge, Wolfs, and The Instigators. More into sports? Apple TV Plus is home to Friday Night Baseball and select Major League Soccer matches from MLS Season Pass.

    Just make sure to set a reminder for yourself to cancel your subscription within the next three months. Otherwise, your plan will automatically renew at the going rate (currently $9.99 a month) once the limited-time promotion period ends. As for what defines an “eligible returning subscriber,” we’ve reached out to Apple for clarification, and we’ll update the post if we hear back.

  • Arduboy creator says his tiny Game Boy won’t survive Trump’s tariffs

    The original Arduboy.

    Kevin Bates managed to quit his day job and move to China after his game-playing business card, the Arduboy, went viral in 2014. But a decade later, Trump’s staggering and inexplicable new US tariffs are driving him out of business.

    Just as he was about to turn a profit for the first time, just before he was about to bring a new product to retail, he tells The Verge that his company can no longer survive as-is. He says that despite lifetime Arduboy sales of over $1 million, much of it from recent growth in 2023 and 2024, Trump’s new 104 percent China tariffs will be the beginning of the end.

    “I just like making circuit boards and helping people learn to code games. This is all too much,” he says.

    Even if he wanted to — Bates admits he’s been looking to sunset Arduboy for a while — he says he wouldn’t be able to satisfy Trump’s stated goal of restarting manufacturing in the US.

    “There are no manufacturers in the USA who would even answer an email to produce Arduboy, much less give a good price. I could build them myself and end up making about $10 an hour, still paying a crazy amount for components.”

    Instead, he says, his options are to dramatically raise prices, find a way around the tariffs, or simply kill off Arduboy for good.

    “The fact Arduboy could exist at all was kind of a miracle of global trade. An individual person, producing and distributing an international product with margins that would never work at a larger company. I didn’t need 80 percent markup to survive,” he says, adding that his actual margins ranged from 30 to 50 percent.

    Trump’s US tariffs would entirely wipe out those margins, and he says China’s retaliatory tariffs would hurt too, as they would impose a 34 percent tariff on the Arduboy’s US-made processor, which Bates says is the most expensive component in the system.

    While he’s hopeful that some larger organization might buy Arduboy and take up the torch, he admits that’s not terribly realistic in this economic climate, and he’s already declaring Arduboy “dead” on his LinkedIn and in the Arduboy forums. He’s already looking for a new day job once again.

    But he says Arduboy isn’t quite dead yet. He wants to launch one last Kickstarter for a USB-C version of the Arduboy with “more features like real time clock, IR blaster, and link cable support,” assuming he can figure out how to ship them at a price people will pay. He says he already saw $99 Arduboy FX Special Edition as overpriced for what it is, and he isn’t looking forward to charging $200 for a new version or saddling buyers with customs fees should he choose to drop-ship them.

    “The only realistic solution is to warehouse the inventory somewhere that doesn’t have Chinese import taxes, and drop ship everything. I visited my factory last year to talk about this, and they said all their customers are in the same situation so they said they would have a solution. But one has not materialized yet,” he says.

    Speaking of drop-shipping and customs fees, that is probably what you should expect if you buy the new banana-shaped Arduboy or the last few remaining units of the Arduboy FX Special Edition. “I am planning to fulfill the orders but they may be drop shipped, so U.S. customers should be aware that import taxes may now apply,” he tells The Verge. But he also may just turn off Banana-Bit preorders, as he says he’s only sold about a dozen so far.

    He also warns these packages could get held up at US customs for a time, because Trump has also gotten rid of the de minimis exemption that let low-value packages enter the US duty-free. “That’s going to impact everything from Shein to Temu to AliExpress, and honestly, it’s going to be chaos. U.S. customs isn’t ready for that volume,” he says.

    Bates says Trump’s trade war is “an absolute unmitigated disaster for anyone without the ability to dramatically restructure.”

    “I guess that’s the point,” he adds.

  • Microsoft has created an AI-generated version of Quake

    Microsoft unveiled its Xbox AI era earlier this year with a new Muse AI model that can generate gameplay. While it looked like Muse was still an early Microsoft Research project, the Xbox maker is now allowing Copilot users to try out Muse through an AI-generated version of Quake II.

    The tech demo is part of Microsoft’s Copilot for Gaming push, and features an AI-generated replica of Quake II that is playable in a browser. The Quake II level is very basic and includes blurry enemies and interactions, and Microsoft is limiting the amount of time you can even play this tech demo.

    While Microsoft originally demonstrated its Muse AI model at 10fps and a 300 x 180 resolution, this latest demo runs at a playable frame rate and at a slightly higher resolution of 640 x 360. It’s still a very limited experience though, and more of hint at what might be possible in the future.

    Microsoft is still positioning Muse as an AI model that can help game developers prototype games. When Muse was unveiled in February, Microsoft also mentioned it was exploring how this AI model could help improve classic games, just like Quake II, and bring them to modern hardware.

    “You could imagine a world where from gameplay data and video that a model could learn old games and really make them portable to any platform where these models could run,” said Microsoft Gaming CEO Phil Spencer in February. “We’ve talked about game preservation as an activity for us, and these models and their ability to learn completely how a game plays without the necessity of the original engine running on the original hardware opens up a ton of opportunity.”

    It’s clear that Microsoft is now training Muse on more games than just Bleeding Edge, and it’s likely we’ll see more short interactive AI game experiences in Copilot Labs soon. Microsoft is also working on turning Copilot into a coach for games, allowing the AI assistant to see what you’re playing and help with tips and guides. Part of that experience will be available to Windows Insiders through Copilot Vision soon.

  • Tron: Ares blends the real world with the digital in its first trailer

    Get ready for slick light strips and futuristic lightcycles.

    Disney just released the first trailer for Tron: Ares, the long-planned Tron: Legacy sequel. The minute-and-a-half trailer doesn’t say much about the story but shows plenty of the movie’s visuals, which look dark, moody, and filled with the series’ signature light trails.

    The trailer opens in the physical world at night, as Jared Leto’s Ares, a Program made physical, flees from police on a light cycle, slicing one in half using his light trail as a weapon. The shots that follow show a massive airship hovering over the real-world city, visible only by the red light strips on its outside. The rest has people looking on in horror at the airship, dogfights between human aircraft and fighters from the Tron digital world, and what looks like a clip of Ares being given his physical body.

    All of that is set to the music of Nine Inch Nails, which is handling the soundtrack this time around. It ends with a voiceover from Jeff Bridges, reprising his role as Kevin Flynn and saying, “Ready? There’s no going back.” The movie hits theaters on October 10th.

    Movie poster

    Disney included the poster above in an email to The Verge announcing the trailer’s release. In a YouTube video from Thursday’s CinemaCon presentation about Ares, Leto said his character is “a highly advanced program” who has entered the real world on a “do-or-die mission to fulfill his directive,” and promised that the movie “will hit you right in the grid … wherever that is.” In addition to Leto and Bridges, Tron: Ares is directed by Joachim Rønning and its stars include Gillian Anderson, Greta Lee, Evan Peters, Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, and Cameron Monaghan.

  • The 7 writing apps I used to start and finish my book

    There’s a famous two-decade-old Paris Review interview with Haruki Murakami in which he, one of the world’s most celebrated novelists, details his daily routine. He wakes up at 4AM, works for five hours, goes for a run, reads, goes to bed, and then repeats it all over again. The rigor and repetition are the point.

    I am not Haruki Murakami.

    In addition to my work at The Verge, I write novels — my second one is out this week — and while I admire Murakami’s commitment to an immovable schedule, I’ve found that I produce my best work when I’m constantly rethinking routines, processes, and, mostly, how I’m writing. In the modern age, that means what software I’m using.

    What I am about to describe will be a nightmare to anyone who likes all of their tools to work harmoniously. All of these apps are disconnected and do not interoperate with each other in any way. Many of the things they do are redundant and overlap. I suppose this process is quite the opposite of frictionless — but that’s precisely the point. I’m not sure I believe that ambitious creative work is borne from a perfectly efficient workflow.

    This is, instead, a journey of moving the work through d &hellip;

    Read the full story at The Verge.